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The African Rationalists - Part.1
 
SETTLER ARCHITECTURE

UNDERSTANDING OUR HERITAGE

Lessons in independence from  Settler Architecture .

Staff Writer - Architect Africa

 
Our socialist Mozambican colleague who contributed last week's piece made some interesting comments on the state of our economy and our architecture. All the same, I think that those long years under Afro-Marxism made his brain a little soft: our problems are of our own making; they are not manufactured in American boardrooms - if we are part of the international global community, corporate or otherwise, it is simply because the vast majority of the population chooses to be that way. 

And no, Mr Souza, there is no conspiracy - just greedy people in powerful places. The rest of the world goes on...

You cannot disengage the world because of the actions of a few unscrupulous individuals or because corporate globalisation has wiped out a huge part of the traditional private enterprise in particular parts of the world or because the US backed Israeli army murders children on a daily basis.

Those are tragic consequences of a power conflict which does not concern our national interests as African countries. We must remain open minded and flexible in our approach to the international community or risk becoming the North Korea of Sub-Saharan Africa. 

I wonder if our colleague Mr. Souza has been to Libya recently? They did not disengage the world - the world disengaged them. The effect is the same - not good.

Souza's article hinted at the boycotting of building materials and systems manufactured by foreign companies which employ thousands of African workers, provide stable and secure working environments and contribute towards the growth of the economy and of Africa. 

Not all foreign companies are bad, or good or otherwise; companies should be judged on their performance, their products and their policies. They should be judged individually, be they local or foreign.

Lumping all foreign owned companies into one basket of bad apples does not make any sense and is far from being proactive -  it is outright irresponsible and dangerous. I know few who would support a call to turn off the world.

Closer to home we have Zimbabwe which has been actively disengaging the world for a while. The effects are only to obvious. Its close association with Libya has brought nothing but problems. 

But, yes, I do agree with Mr Souza that we should be more sensitive to the promotion and use of home grown skills and building products. Above all we should be rational, sensible, and reasonable.

Architecture is not about human emotion nor about the battle between good and evil. Architecture is first and foremost a living record of our history - our socio-cultural history and our politico-economic history. Architecture is a reflection of our human existence.

The problems which we face in Africa as architects and builders are not new. Our prevailing urban architecture and planning  heritage was brought to Africa by European Settlers over a period of some five hundred years although only the last one hundred years saw significant building works executed.

If we are to find solutions to problems which plague us today we must surely look to our history first. There are many lessons to be learned from our Architecture which can help us establish a more homegrown approach to our construction systems without engaging in extremist gestures. 

I choose an example close to Mr. Souza's heart - his own hometown - and mine. The capital city of Mozambique; Maputo - formerly known as Lourenco Marques. (Cecil Rhodes insisted on calling it Delagoa Bay and claimed it as British territory.)

Recently I met a famous South African sangoma who - on being told that I was originally from Mozambique - remarked that my hometown had been built by the Portuguese; "the strongest of the white races", he commented.

Hmmm.... They would have had to be, to built the cities which they did. But it wasn't just the Portuguese who were so strong; some of the city's finest buildings were built by Italians, Shangaans, Swazis, Maxopes and many other family groups.

Their architecture is testament to that strength and to the little known fact that its fundamental form was the direct result of Portugal's oblivious detachment from the Industrial Revolution  - which produced the technology that replaced menial labour and brute strength with increased efficiency and higher levels of productivity. (And the alienation of labour from the means of production, as Mr. Souza would have it.)

Maputo was never of much interest to the Portuguese Crown other than as a watering hole for the ships doing the Route to India and the East. For the first four hundred years of occupation Portugal displayed no interest in the Mozambican interior or even the coastal towns for that matter.

They showed so little interest in it that the English became exasperated at the wasted opportunities and attempted to have Maputo declared a British Territory. The case was heard by the International Court around the start of the 20th century and the judge, a Judge Mac-Mahon, found in favour of Portugal. 

By sending the British packing Judge Mac-Mahon changed the course of Maputo's architectural history -  a city which   grew to become the most perfect showpiece of "The Modern Movement" by the early 70's. The city became so modernised  and its industry so advanced that it superceded every aspect of its colonial master's Lisbon until it was handed over to the Soviet sphere of interests in 1974 - changing the fate and the shape of the city for ever.

How is it that this astoundingly beautiful city was built in less than 70 years by a nation on the periphery of the Industrial Revolution in deepest darkest Africa? And why is it so different from its sister East African city of Durban - which developed at the same time under the rule of the British and under the influence of the Industrial Revolution?

And why did the city grind to a halt in 1975, remaining in frozen decay for 25 years? What of the future?

There are lessons here...

There was a time when we built great cities in Africa without engaging in global semantics. Local politics have always been there: great buildings are no more than great manifestations of great politics. Be that economic, political, social or power politics - one can group that into one single politesse; profit.

Let's look at how Maputo was built and see how it proves beyond all doubt that Africa is fully able and capable of constructing its own buildings without using "foreign-owned" concepts or materials - if it is appropriate, desirable and economically feasible, it is possible. We have done it before.

My opinion is based on first hand experience as a Maputian  architect and on the experience of my father and that of his father, the settler. Three generations of architects and builders who contributed over 100 years of design and construction to this city:  the net result of one hundred years of engaging African building politics through two global wars, a war of independence and a subsequent civil war.

I lay claim to privileged information on this subject and I offer buildings as evidence, least you be tempted to call me a windbag or worse - a fantasist. The two tallest modern buildings on the picture on the right (Maputo - Old City Centre) are just a small sample of what my bloodline built over that period - hundreds of buildings over a 100 year span; homes, offices, factories, hospitals, schools, civil works, water plants, refineries, port installations, dams, bridges.

As an Italian bloodline we also spent a lot of time fighting the nationalistic - often racist - policies of various Portuguese, South African and Mozambican governments and administrations. Policies which had - and continue to have - a direct impact on how we shape our thinking, our lives and our architecture.

This bloodline has been building for over two hundred years - the last century on African soil. It is a tradition and a commitment that extends beyond the formal British mould which separates architect and contractor. In my tradition you cannot separate the two; they are one and the same. Masters of the art and science of building must be masters the building trades; you cannot impart one without the other in today's countries of Africa. You can in Britain. Not in Africa.

In my tradition one may act as architect and builder on a project. One may act only as architect or one may choose to  build another architects' buildings. It is a good, practical and collaborative tradition; we are Master Builders in every sense of the word. I believe it may just contain the answer to Mr. Souza's socialist ailments - and, as an added bonus, does not call for the destruction of the "New World Order" as a prerequisite to African development.

This tradition extends well beyond the formalised functions of an architect and the duties of a builder. It reaches out beyond the building site to the source of building materials and addresses issues closely related to manufacture, labour and human relations. (In this tradition one does not "lay off" workers when a project is completed and re-hire others when the next project comes along - one builds a permanent workforce, one encourages the transfer of skills and builds a strong bond and relationship with employees and the labour force - for life. )

One man brought this tradition to Mozambique.

The first qualified architect to set up practice in Maputo was a Sicilian Settler, a graduate of the Rome School of Fine Arts. Forced by Mafia politics to leave his home country, he arrived in Mozambique in 1898 from Egypt, where he had been building for some years. He was joined in 1902 by his younger brother, who he trained as architect and builder. This is my lineage.

Amongst many other works of significance the brothers  designed and built the city's first theatre, the Varieta in Rua Araujo, which served the city for over fifty years. They also made a significant contribution to the construction of the port of Maputo and the city's railway station - designed by Eiffel.

Most important - and more to the point - they wrote and published several monographs on the politics of the building construction industry at the turn of the last century, particularly relating to the issue of deploying foreign materials and skills in favour of utilising local materials, building techniques and local indigenous labour.

The politics were simple and disturbingly familiar. In the case of a major municipal contract, the Portuguese Government favoured a Portuguese Contractor, using Portuguese tradesmen, materials and labour imported from Europe in favour of a much cheaper but more appropriate solution proposed by the Sicilians - which utilised local materials, techniques and labour.

The arguments pertaining to this case are as relevant today as they were 100 years ago. In this series of articles which I have called "The African Rationalists", I will attempt to address Mr. Souza's concerns relating to foreign domination of Africa's building industry using the outcome of the above Portuguese/Sicilian conflict as the basis of my argument. 

The modern movement was the driving force which built the city of Maputo.  I intend to argue, in this series of articles, that a return to the fundamentals of the Modern Movement is the  solution to some of Africa's economic problems and that these fundamentals - still prevalent in Mozambique today - are threatened with extinction at a time when they should be vigourously propagated to many other African countries - South Africa in particular.


 
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The Garrison's Fort - Early 1800's
The only pre 20th century building still in existence.

 

Maputo - Early 20th Century

Maputo - Late 20th Century

Maputo CBD - Early 20th Century
Maputo CBD - Early - Mid 20th Century
Maputo CBD - Late 20th Century
In the false belief that sharks inhabited the waters the settlers built complex bathing structures with fenced off enclosures for swimming.
The camping and tourism grounds along the city's shark free beaches were populated by thousands of rural evacuees during the Civil War - the pre war Tourism Industry has never recovered.
City Hall
Built by the Italian and Portuguese Settlers - and it shows.
Maputo - Old City Centre
Palladio and Corbusier left their mark - as did Deco.
Manueline Architecture
The Alvaro de Castro Natural History Museum - pure Portuguese Heritage.
British Colonial Industrialism
Made in England, erected in Maputo. Prefabricated steel paneled house of the type commonly found in South Africa. 
Radio Clube de Mocambique
The International Style suited local skills and materials in every aspect.
St. Antonio da Polana
A fine example of Modern Movement Architecture in Maputo (1963)
 

    Africa Sites of Some Political Interest:


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